Ultimately, to list “everywhere” is to acknowledge human limits while refusing smallness. Depth can redeem what breadth cannot reach. Rebecca Solnit’s A Field Guide to Getting Lost (2005) argues that disorientation can be a method for noticing; likewise, Annie Dillard’s Pilgrim at Tinker Creek (1974) models radical attention close to home. Therefore, when time or funds run thin, we can still travel by looking harder—walking the same block at dawn, noon, and night, letting the familiar go strange. The list remains, not as a ledger to clear, but as a living invitation to see more fully wherever we are. [...]
