Circling back, tiny breaks are not errors to conceal but sites to study. As the fracture widens just enough, it reveals both fragility and redesign paths, turning critique into craft. Leonard Cohen’s “Anthem” (1992) whispers, “There is a crack in everything,” while Ono urges us to make one—intentionally, here and now.
By moving from art to psychology, from systems to street-level practice, the through-line holds: small revolutions scale because they are livable. Begin with the smallest workable break, and let its light guide the next. [...]
