To Be Moved Is Truly to Live

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The main thing is to be moved, to love, to hope, to tremble, to live. — Auguste Rodin
The main thing is to be moved, to love, to hope, to tremble, to live. — Auguste Rodin
The main thing is to be moved, to love, to hope, to tremble, to live. — Auguste Rodin

The main thing is to be moved, to love, to hope, to tremble, to live. — Auguste Rodin

What lingers after this line?

Emotion as the Core of Existence

Rodin’s statement begins with a striking priority: “the main thing” is not to possess, achieve, or control, but to feel deeply. To be moved suggests openness to beauty, sorrow, wonder, and human connection. In that sense, he defines life not as mere survival but as a state of inward responsiveness, where experience leaves a mark on the soul.

Love as Life’s Expanding Force

From that emotional foundation, Rodin naturally turns to love, which transforms feeling into relationship. Love draws a person beyond isolation and toward attachment, sacrifice, and meaning. As Leo Tolstoy’s writings often suggest, especially in Anna Karenina (1878), love can reorder an entire inner world, making existence feel larger, riskier, and more vivid.

Hope and the Future Within the Heart

Yet Rodin does not stop with present feeling; he adds hope, the emotion that leans forward into what is not yet here. Hope allows people to endure uncertainty because it imagines renewal beyond present limits. In this way, his thought echoes Emily Dickinson’s poem “‘Hope’ is the thing with feathers” (c. 1861), where hope persists quietly but powerfully within the human spirit.

Why Trembling Also Belongs to Life

Significantly, Rodin includes trembling alongside love and hope, reminding us that vulnerability is not the opposite of life but part of it. To tremble is to care enough that outcomes matter; fear, awe, and anticipation all arise when something precious is at stake. Søren Kierkegaard’s Fear and Trembling (1843) similarly presents trembling as the mark of profound inward seriousness rather than weakness.

Living Beyond Mere Existence

Finally, all these verbs culminate in Rodin’s last word: “to live.” The sequence implies that living fully is the result of being emotionally awake—moved by beauty, bound by love, sustained by hope, and shaken by vulnerability. Seen this way, Rodin offers not just a poetic reflection but a philosophy of vitality: a human life becomes real when it is deeply felt.

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Where does this idea show up in your life right now?

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